So the commemorations for Cotton Floyd were rather muted. After two mass shootings in a row, Americans have soured on the notion that crime can be stopped by social workers dispensing daisies. Unfortunately for those who turned Floyd’s passing into an excuse to defund cops and launch a national crime surge, America isn’t in much of a “defund” mood these days. Second anniversaries are symbolized by “cotton,” so even in death poor George is mocked by racism (next year will be better the symbol of third anniversaries is fentanyl). Last week was the second anniversary of smothered brother George Floyd’s grand exit.
Not when there are Mexican necrófilos to free and anti-CRT white parents to imprison. You think they’ll learn a lesson from the Ramirez case about how these kinds of crusades can boomerang in unexpected ways? Today, the Biden administration is trying to curtail civil liberties in the name of fighting white supremacist terrorists. How dare the racist court send an abused Mexican to his maker!īut here’s the irony: AEDPA was passed following the Oklahoma City bombing as a tool against white supremacist terrorists! It was supported by Democrats, and signed by Bill Clinton. Last week, SCOTUS, in a 6–3 decision, upheld AEDPA and sent Ramirez back to death row, much to the righteous rage of every leftist in America. So the attorneys went to SCOTUS demanding an AEDPA exemption.
Unfortunately, Ramirez’s team was prevented from presenting these arguments at the federal appeals level, thanks to the 1996 Antiterrorism and Effective Death Penalty Act (AEDPA). “He was an abused child!” “He never got over the cancellation of Chico and the Man!” “He was just trying to film his version of Apocalypto!” In the decades since, Ramirez’s case has attracted the attention of the nation’s finest left-wing lawyers (from the firm Nebbish, Schmendrick, and Schmuck), who argue that Ramirez’s previous attorneys didn’t stress the extenuating circumstances that totally excuse their client’s behavior. His post-conviction lawyer was no more effective during appeal (“you want leaf blow? We blow leaf”). At trial, his attorney appealed to the judge: “You need drywall, señor? We do drywall.” “After two mass shootings in a row, Americans have soured on the notion that crime can be stopped by social workers dispensing daisies.” Said the man who’s only alive today because he inadvertently timed his baneful buggering to coincide with the availability of protease inhibitors. And over the past two years the man who couldn’t control his pecker when it was life-or-death has been one of the prime COVID-scolds in America, lecturing the great unwashed on how they must sacrifice everything-their jobs, their kids’ education and mental health, their elderly parents’ companionship–in the name of controlling COVID.įew argued harder than Gonsalves to keep churches closed during the pandemic in November 2020 he tweeted: “If you think filling up churches and allowing congregants to get infected is in the name of God, you worship something far grimmer than most.” Thankfully, his diagnosis came right as the first generation of Magic Johnson’s AIDS-B-Gone super-drugs were approved, so Gonsalves survived. Even though it was (at the time) a death sentence, he couldn’t control his behavior enough to avoid one of the most easily avoidable deadly plagues in history. The streamer, rapidly imploding due to “woke” programming and racial hiring caps and quotas, liquidated its black, Hispanic, Asian, and LGBT programming departments: Strong Black Lead (weak black ratings), Con Todo (no can-do), Golden Asia (yellow? Goodbye!), and Most (LGBTFU).īut still, in 1995, he got it. Last week, Netflix announced the end of its racial-preference apartheid. Case in point: In the real 1980s, leftists were against racial apartheid and war with Russia.
Haysi Fantayzee sold more records than any group in history, and while a movie about a robot assassin from the future flopped at the box office, killing the careers of its bodybuilder star and egocentric director, The Perils of Gwendoline in the Land of the Yik-Yak broke box office records, launching lead actor Brent Huff into superstardom.īizarro ’80s is more than comic-book fiction it’s pretty much what’s happening today. Bobcat Goldthwait launched the most successful sitcom of all time (“a show about screaming about nothing”). In the Bizarro 1980s (an inverted-reality dimension), Philip Michael Thomas became an A-list movie star after Miami Vice. The Week’s Most Flaying, Spaying, and Memorial Daying Headlines